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COMPOSITIONS
For purchase or rental of compositions: SubitoMusic.com
For recordings of compositions: AlbanyRecords.com |
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Orchestra |
| Ballet—Suite: The Masque of the Red Death [1932-40] |
25:25 |
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I. |
Invocation Profane |
00:50 |
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II. |
Propos subtil et mysteriux |
07:25 |
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III. |
Valse seduisante |
04:30 |
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IV. |
Chez le Sultan |
05:30 |
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IV. |
Orgie |
07:15 |
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*3 *3 *3 *3—4 3 3 0—tmp+6—hp—str |
| Cowboy’s Breakdown [1944] |
02:10 |
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*3 2 2 2—4 2 3 1—tmp+3— piano—str |
| Hibernia (Irish Rhapsody) [1929] |
18:25 |
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*3 *4 *4 *4—6 3 3 1—tmp+3—2hp—str |
| Irish Rhapsody [1927] |
12:05 |
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*3 *3 *3 *3—4 2 3 1—tmp+4—hp—pf—str |
| Lament and Jig [1941] |
01:50 |
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*3 2 2 2—4 2 3 1—tmp+3— piano—str |
| Lil’ David Play on Yo’ Harp [1945] |
04:20 |
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*2 2 2 2—2 2 2 0—harp—str |
| Mardi Gras [1922] |
15:05 |
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*3 2 *3 *3—4 3 3 1—tmp+3—hp—str |
| Set of Four [1933] |
18:20 |
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I. |
Prelude |
02:50 |
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II. |
Moonlight and Dance |
09:25 |
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III. |
To Her |
03:15 |
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IV. |
Passacaglia |
02:50 |
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*3 *3 *3 *3—4 2 3 1—tmp+3—piano—2hps—str |
| Symphony (Nos habebit humus), in B Minor [1929] |
35:30 |
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I. |
Allegro molto moderato |
13:45 |
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II. |
Allegretto soave |
04:50 |
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III. |
Elegy (andante lugubre) |
06:30 |
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IV. |
Allegro |
10:15 |
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*4 *4 *4 *4—6 4 3 1—tmp+3—2hp—str; two-piano study score available |
| Tragic Overture [1942] |
02:10 |
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*3 *4 *4 *4—4 3 3 1—tmp+3—pf—str |
| Valse Elegante [1933] |
03:15 |
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*3 2 2 *3—4 2 3 1—tmp+1—hp-cel/pf—str |
| Variations on an Irish Folksong [1931] |
18:00 |
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*3 *3 *3 *4—6 3 3 1—tmp+2—2hp—str |
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Orchestra and Piano Soloist |
| Concerto No. 1, for Piano with Orchestra Accompaniment, in E-flat Major [1925] |
29:30 |
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I. |
Molto moderato, quasi adagio—Allegro no troppo |
12:30 |
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II. |
Andante mesto |
09:00 |
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III. |
Allegro ritmitco |
07:55 |
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3 *3 *3 *3—4 2 3 1—tmp+3—str; two-piano study score available |
| Concert Piece (Concerto No. 2), for Piano with Orchestra Accompaniment, in A Minor [1931] |
20:45 |
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Andante molto tranquillo/Scherzo: diabolico presto/Allegro—Tempo giusto—Presto |
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2 2 2 *2—2 2 3 0—tmp+2—str; two-piano study score available |
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Concerto No. 3, for Piano with Orchestra Accompaniment, in B Minor [1942] |
38:55 |
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I. |
Moderato e patetico |
14:40 |
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II. |
Intermezzo: Pièce Eccentrique |
03:25 |
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III. |
Nocturne (andante tranquillo) |
10:00 |
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IV. |
Rondo alla Tarantella (presto) |
10:45 |
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*2 2 2 2—4 2 3 1—tmp+2—str; two-piano study score available |
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Orchestra with Chorus and Vocal Soloists |
| Hymn to the Earth [1929] (secular cantata; libretto by composer) |
37:05 |
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I. |
Chorus |
04:05 |
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II. |
Chorus and Bass Solo |
03:15 |
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III. |
Chorus and Tenor Solo |
03:10 |
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IV. |
Waltz: Soprano Solo |
04:30 |
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V. |
Chorus |
05:50 |
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VI. |
Alto Solo, Quartet, and Final Chorus |
10:35 |
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*2 2 2 2—2 2 3 0—tmp+1—hp (opt)—str—SATB soloists (1 each)—SATB choir |
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Opera |
Daughter of the South [1939] (opera in one act and two scenes); libretto by composer;
Scene II restored 2008; librettist C. Kondek, music editor D. Hagen |
75:10 |
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*3 *3 *3 *3—4 3 3 1—tmp+4—harp—str—SATB choir—
S (MARY LOU), MZ (ESMERELDA), T (ROBERT WARREN), B/Bar (COL. ED. RANDOLPH), B (JONAH), B (CONFEDERATE SERGEANT);
piano-vocal score and choir books available
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Choir: SATB and Piano |
| And when the last of us returns to thee (from Hymn to the Earth; libretto by composer) |
06:15 |
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| Hail! Mother of us all and Beautiful! (from Hymn to the Earth; libretto by composer) |
08:45 |
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| Summer finds thee garbed in yellow (from Hymn to the Earth; libretto by composer) |
05:48 |
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| ‘Tis spring, when love controls [1939] (from Daughter of the South, libretto by composer) |
03:00 |
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Chamber or String Orchestra with Vocal Soloist |
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(arr. by Verne Reynolds from composer’s original compositions for voice and piano)
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| The Daffodils [1940] b |
03:05 |
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1011—1000—str |
| A Piper [1942] (O’Sullivan) |
01:45 |
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1011—1000—str |
| Prayer [1944] (Thompson) |
02:30 |
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str |
| Song and Suds [1943] (Tuttle) |
02:05 |
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str |
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Chamber: Instrumental |
| Allegro piacevole [1935;rev.1949] |
07:28 |
| Arabesque (for violin and piano) [1933; two versions] |
04:15 |
| Piano Trio (Geronimo), in G Minor, Op. 1 [ca. 1904-17] |
34:45 |
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I. |
Allegro non troppo |
04:05 |
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II. |
Allegretto (poco) vivace |
08:27 |
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III. |
Andante lugubre; Adagio lamentoso |
10:55 |
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IV. |
Allegro vivace |
06:27 |
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| Prayer [arr. by composer, from his song setting a text by John Henry Newman] |
02:30 |
| Sonata, Op. 2/14 (for violin and piano) [ca. 1904-22] |
28:05 |
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I. |
Prelude |
06:30 |
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II. |
Waltz |
03:00 |
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III. |
Romance |
10:30 |
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IV. |
Rondo |
08:05 |
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Chamber: Piano Duo |
| Cowboy’s Breakdown [1944] |
02:20 |
| Eleanore Waltz [1933] |
03:00 |
| Passacaglia for Two Pianos (in the Mixolydian Mode) [1922 or 1935] |
02:30 |
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Chamber: Voice and Piano |
| Annabel Lee [1940] (Edgar Allen Poe, adapted by E. J. Collins) |
03:40 |
| The Bayadère [1921](E. J. Collins) |
02:10 |
| Butterflies [1919] (E. J. Collins) (in the Mixolydian Mode) |
01:05 |
| The Daffodils [1940] (Wordsworth, adapted by composer) |
03:05 |
| Death of the Leaves (E. J. Collins) [1918] |
03:30 |
The Faded Violet [1919; also titled To A Faded Violet, and Elegy, 1938] (Percy Bysshe Shelley, adapted by composer) |
02:55 |
| The Fog [1934] (Carl Sandburg) |
02:00 |
| June Night [ca. 1917] (E. J. Collins) |
02:15 |
| Magdalene [1943] (E. J. Collins) |
05:10 |
| Music When Soft Voices Die [1921] (Percy Bysshe Shelley) |
01:50 |
| The Pines [1932] (E. J. Collins) |
02:45 |
| A Piper [1942] (Seamus O’Sullivan) |
01:45 |
| Prayer for C. H. S. [1944] (John Henry Newman) |
02:30 |
| Song and Suds [1943] (Stella Weston Tuttle) |
02:05 |
| To a Little Child [1943; also titled To a Sleeping Child, 1931, and Lullaby, 1920] (E. J. Collins) |
02:40 |
| The Wooded Lake [1917; possibly revised 1930s] (E. J. Collins) |
02:45 |
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Chamber: Voice and Piano |
(art song versions of songs from large ensemble works) |
Again the year has come to the Spring [1939, Daughter of the South, Scene II, Mary Lou’s aria](E. J. Collins) |
05:25 |
| Clover leaf Song [1919, from Who Can Tell?] (E. J. Collins, with Hal Geer] |
03:15 |
| Love is a Thing Divine [1919, from Who Can Tell?] (E. J. Collins, with Hal Geer) |
03:05 |
| Now close ‘yo eyes [1939, from Daughter of the South, Scene II, Melda’s lullaby](E. J. Collins) |
02:40 |
Thou changest thy garment [1929, from Hymn to the Earth, II. Chorus and Bass Solo, the “winter” section] (E. J. Collins) |
02:45 |
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Piano Solo |
| The 5:48 [publ.1948] (1941) |
02:20 |
| Canons [1917] |
02:20 |
| Etude [1930] |
02:55 |
| Four Waltzes, Op. 15 [1913; published 1916] |
08:40 |
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No. |
1 Non troppo allegro (in E Major) |
02:40 |
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No. |
2 Cantabile (in B Major) |
01:40 |
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No. |
3 Grazioso (in G# Minor) |
01:45 |
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No. |
4 Leggerio e grazioso (in Ab Major) |
02:35 |
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| Frédéric François [date unknown] |
02:30 |
| Six Technical Stunts in Canonic Form [1920] |
06:04 |
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No. |
1 Allegretto |
00:55 |
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No. |
2 In 12/8 |
00:50 |
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No. |
3 In 4/4 |
00:45 |
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No. |
4 In 6/8 |
01:00 |
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No. |
5 Andante |
01:40 |
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No. |
6 Dixie |
01:05 |
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| Passacaglia [1926] |
00:30 |
| Six Valses Caractéristiques, Op. 18 [1922] |
18:10 |
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No. |
1 Valse Héroïque |
03:10 |
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No. |
2 Valse Élégante |
03:25 |
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No. |
2 Valse Romantique |
03:10 |
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No. |
4 Valse Limpide |
02:35 |
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No. |
5 Valse Pensive |
03:35 |
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No. |
6 Valse Capricieuse |
02:50 |
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| Tango (in Form of a Rondo) [ca.1935] |
04:00 |
| Valse Eccentrique [1949] |
03:35 |
| Variations on an Irish Theme [1930] [abridged version of Variations on an Irish Tune] |
13:10 |
| Variations on an Irish Tune [1930] |
15:20 |
| Variations on a Negro Theme [date unknown] |
13:00 |
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Arrangements: Voice and Piano |
(for The American Songbag, Carl Sandburg) |
| Sh-ta-ra-dah-dey (Irish lullaby) [1927] |
varies |
| Frankie and Albert [1927] |
varies |
| Frankie & Johnny I [1927] |
varies |
| Frankie & Johnny II [1927] |
varies |
| Frankie Blues [1927] |
varies |
| C.C. Rider [1927] |
varies |
| The Hog-Eye Man [1927] |
varies |
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Arrangements: Piano and Solo |
| All God’s Chillun’ Got Wings [1948] |
02:15 |
| Didn’t My Lord Deliver Daniel? (Negro Spiritual) [1940] |
02:15 |
| The Gospel Train (Git on board, lil’ chillen) [1947] |
02:00 |
| Joshua Fit de Battle ob Jericho [1947] |
02:50 |
| Lil’ David Play On Yo’ Harp (Negro Spiritual) [1940] |
03:35 |
| The Shepherd by Peter Christian Lutkin [ca. 1946] |
02:35 |
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Cadenza: Piano Solo |
| Cadenza [1929] for the Piano Concerto No. 1, in C Major, Op. 15, of Ludwig van Beethoven |
varies |
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